Sunday, December 19, 2010
Friday, December 17, 2010
Saturday, September 18, 2010
Da Capo 2010

The time of the year has arrive. The NUS Wind Symphony will once again be presenting to you our annual concert: Da Capo.
The theme of this concert is European, and we will be featuring a host of music from different cultures. From the feisty Spanish rhythms of "El Camino Real" to the catchy tempo of the Irish "Riverdance", the band will have you tapping and swaying to the music. The Wind Symphony will also be playing "A Grand Grand Overture" by Malcolm Arnold, well-known for being one of music's most celebrated practical joke. With an added cast of three vacuum cleaners and a floor polisher, we promise a night of grandiose mayhem and unexpected hilarity. So join us as we bring you on a whirlwind tour of European culture, music and experiences that you will never forget.
Resident Conductor
Thursday, August 26, 2010
ExxonMobil Campus Concerts, Little Treats for Everyone

Sunday, August 15, 2010
NUS Wind Symphony Orientation Day 2010
When: 21 August 2010, Saturday
Time: 10am onwards (full day)
Venue: West Coast Park
Friday, July 30, 2010
NUSWS Welcome Tea 2010


Monday, July 19, 2010
NUSWS at NUS Matriculation Fair 2010
Tuesday, July 13, 2010
Big Carnival @ marina bay
Refer to the above hyperlink for more details!
Programme highlights
Themes from:
- Halo
- Myst III
- Tetris
- ...and many more!
Friday, May 21, 2010
University Band Festival 2010
Assoc. Prof. Ho Hwee Long
Mr. Takehiro Oura
S$15 (Available from any performing members from the bands)
For any enquiries, please contact Ms Emily Goh at 91431989 or through e-mail at unibandfest2010@ntusb.com.
Poem “Northern Mother Earth – Praise for all living things” by Satoshi Yagisawa
GR Selection arr. by Masamicz Amano
Morning, Noon & Night Overture by Franz von Suppe
Monday, March 01, 2010
InTempo ’10
presented by the NUS Wind Symphony
conducted by our Resident Conductor and Music Director
Associate Professor Ho Hwee Long
and our Assistant Conductor - Mr Ian Lum
along with our Student Conductor - Mr Goh Wee Juay
27 March 2010 - Saturday
7:30pm (With a 20 mins intermission)
Victoria Concert Hall
$12 (Stall), $15 (Circle)
For tickets, please contact Yi Huang (9637 0127) or Kristen (9437 4737), or reach us at nus.wind.symphony@gmail.com
The InTempo concert series was initiated in 1974, and stands as the longest running band concert series in Singapore. Unsurprisingly, the InTempo concert series commands a profound degree of repute, prestige and recognition in Singapore’s band scene.
For InTempo ’10, the wind orchestra will take on works bearing a Russian theme. Join us as we showcase the immense music prowess of one of Russia’s most celebrated composers, Dmitri Shostakovich. From his historically-significant and era-defining Symphony No. 5, the subtle political message in Festive Overture, to his immaculate references of his other works in Jazz Suite No. 2 – the music capabilities of Shostakovich is impossible to overlook. The works of two members of “The Five” will also be featured – Alexander Borodin’s score to the opera, Prince Igor, and Nikolai Rimsky-Korsakov’s Scheherazade. The latter, based upon stories from the famed anthology, One Thousand and One Nights (often known as Arabian Nights) is arguably the best known expression of Russian musical orientalism, and undoubtedly his best known work. Listen out for his undisputed flair in inventing a sophisticated cachet of orchestral effects.
"RSVP" at the corresponding facebook event page!
Russlan and Ludmilla, Overture
Mikhail Ivanovich Glinka, arr. Mark h. Hindsley
Russian Christmas Music
Alfred Reed
Scheherazade - Part II. The Story of The Kalandar Prince
N. Rimsky Korsakov, arr. Mark H. Hindsley
Suite from Caucasian Sketches
M. Ippolitov Ivanov, arr. Dan Goffrey
Symphony No. 5 – Finale, Opus 47
Dmitri Shostakovich, arr. Jay Bocook
- - - Intermission - - -
Percussion Ensemble
Jazz Suite no. 2
Dmitri Shostakovich, arr. Johan de Meij
Ballet Music from the Opera “Prince Igor”
Alexander Borodin
Festive Overture, Op 96
Dmitri Shostakovich, arr. Donald Hunsberger
Monday, October 26, 2009
Da Capo 2009 Sponsors


Thursday, September 10, 2009
Da Capo 2009

| 23 October 2009 – Friday |
| 7:30pm (with a 20 minutes Intermission) |
| Victoria Concert Hall |
| $12 – Stall | $15 – Circle |
| For tickets, please contact Yi Huang (9637 0127) or Kristen (94374737) |
Following the success of its performance at the Esplanade Concert Hall, the NUS Wind Symphony will be presenting Da Capo 2009 at the Victoria Concert Hall on the 23rd of October. Expanding on the concept of popular classics, musical favourities and contemporary standards, Da Capo 2009 looks set to be a night filled with heart-wrenching tunes, show-stopping moments, and several motifs that define the music landscape.
Concert Repertoire
Curtain Up!
Alfred Reed
宇宙戦艦ヤマトSpace Battleship Yamato
Hiroshi Miyakawa, arr. By Akira Miyagawa
The Phantom of the Opera
Andrew Lloyd Webber, arr. by Johan de Meij
("Angel of Music", "Music of the Night", "Notes", "Think of Me", "All I Ask of You", "The Phantom of the Opera", "Wishing You Were Somehow Here Again")
Symphonic Dance Music from West Side Story
Leonard Bernstein, Transcribed by Ian Polster
(“Scherzo”, “Mambo”, “Cha-cha”, “Fugue”)
An American in
George Gershwin, arr. by Naohiro Iwai
- - - Intermission - - -
In the Miller Mood
Various, arr. by Warren Barker
("In the Mood", "Moonlight Serenade", "I've Got a Gal in Kalamazoo", "Serenade in Blue", "Little Brown Jug", "At Last", "Anvil Chorus")
もののけ姫, Princess Mononoke
Music by Jo Hisaishi, Arr. By Takashi Hoshide
Tintin – Prisoners of the Sun
Dirk Brossé, arr. by Johan de Meij
Music by Kunihiko Murai, Words by Michio Yamagami, arr. by Akira Miyagawa
Monday, August 31, 2009
Yesterday, Once More - Beautiful Sunday @ Esplanade
When? 13 September 2009, 3 to 4pm, its free!
Where? Esplanade Concert Hall..
Who? anyone and everyone.. the concert series is for members of the public.. and its free!
Price? did i mention that its free?
Details? The concert is part of the "Beautiful Sunday" concert series held monthly at the Esplanade Concert Hall. For the month of September, the NUS Wind Symphony will be presenting “Yesterday, Once More”, offering members of the public an opportunity to revisit the tunes and familiar favourities of yesteryears.
Immerse yourselves in memories of yesteryears, and join us by humming along to two pop gems from the Beatles – "Yesterday" and "Hey Jude", and well-known Japanese folk song “Tsubasa Wo Kudasai” (Please Give Me Wings) originally released by Akai Tori in 1971. Satisfy your hunger for nostalgia by listening out for the lush sounds of “An American in Paris” – an attempt to depict the buzz of Paris in the 1920s. Be further enthralled by the relaxing sounds of swing and jazz characteristics of the 1930s and 1940s ("In The Miller Mood"). The concert won’t be complete without selections from two landmark musicals – “West Side Story” and “The Phantom of the Opera”.
More information? to receive future information from us, simply become a fan of nusws on facebook! click on the "become a fan" icon at the sidebar to become a fan!.. for more information or to "rsvp", refer to the related facebook event.. we hope to see you there!
Music by Leonard Bernstein, Lyrics by Stephen Sondheim, arr. by W.J. Duthoit
("I Feel Pretty", "Maria", "Something's Coming", "Tonight", "One Hand, One Heart", "Cool", "America")
Tsubasa Wo Kudasai (Please Give Me Wings)
Music by Kunihiko Murai, Words by Michio Yamagami, arr. by Akira Miyagawa
Andrew Lloyd Webber, arr. by Johan de Meij
("Angel of Music", "Music of the Night", "Notes", "Think of Me", "All I Ask of You", "The Phantom of the Opera", "Wishing You Were Somehow Here Again")
(conducted by our Assistant Conductor, Mr Ian Lum)
Yesterday & Hey Jude
John Lennon & Paul McCartney, arr. by Naohiro Iwai
In the Miller Mood
Various, arr. by Warren Barker
("In the Mood", "Moonlight Serenade", "I've Got a Gal in Kalamazoo", "Serenade in Blue", "Little Brown Jug", "At Last", "Anvil Chorus")
An American in Paris
George Gershwin, arr. by Naohiro Iwai
Tuesday, August 25, 2009
Bandit O 2009

Sunday, August 09, 2009
Welcome Tea 2009

What? The NUS Wind Symphony will be having our annual Welcome Tea on the 13th August, 6:45pm, at the NUS Centre for The Arts (CFA) Auditorium.
Where? We are located directly opposite the Yusof Ishak House (ie if u r taking bus, alight at YIH!) + right next to Raffles Hall. Various directional signs will be put up! keep a look out for them!
Who? We welcome all NUS students (doesn't matter if you are year one or not!) with prior band experience to join us! Do come down for a night of music-making and fun! its time to rekindle your passion for music!
Doubts? If you have any burning question(s), or foresee that you will get lost on that day itself, feel free to contact either Chuan Xin (93874733) or Benson (97504395). We hope to see you there!
Sunday, May 31, 2009
NUSWS : Pillow Fights & Celebration
Wednesday, February 04, 2009
InTempo 2009
Saturday, November 15, 2008
Remembering Our Captain Planet~
how he told us funny jokes (could be factual though)~
- Richard Strauss said this: Never look at the brasses encouragingly…it does a lot of damage~ [Merry Wives of Windsor]
- they always say how do you make two oboes play in tune? kill one~ [Soaring over the Ridges]
- & everybody hears the trumpets because they’re at the top… … …because you’ve always got to make trumpets feel better~ [Poema Alpestra]
- I think you have to make me very fat…then I can conduct this very nicely~ [Finlandia]
- everytime something changes it feels better…it’s psychological! [Planet Earth]
- now you can hear more mistakes when last time I was the only one suffering~ [Planet Earth]
- it’s also in their character… … …have you ever wondered why trumpets (trumpeters) and trombones (trombonists) play trumpets and trombones? because they are showy people~ [Extreme Makeover]
how he gave us advice in humorous manners~
- even if you miss 20 bars…be professional about it~ [Planet Earth]
- and the rest of you with nothing to do…by sitting down…you’re part of the music…& I tell you, this is one of the hardest things to do – to be a statue~ & the moral of the story – stillness is power~ [Planet Earth]
- counting is an important part of this piece…don’t get lost…this piece is about not getting lost~[Planet Earth]
- you hit the B flat on concert day it’s worth one million dollars~ [Planet Earth]
- play like you’re happy being 40 years old~
- patience is the hallmark of all ensembles~ we have to be patient~ [Pictures At An Exhibition]
- rests are the hardest things to play in the universe~
- practice faking it until it sounds convincing~ [Extreme Makeover]
- listen~ studies have shown that you can’t listen while you talk~
- you can miss notes…but you can’t mess things up~ [Extreme Makeover]
- never mind…repent…practice…and get on~ [Extreme Makeover]
how he re-created our identities~
- we're sound engineers~ [Merry Wives of Windsor]
- we’ve gotta be a three thousand dollar home theatre entertainment system~ [King Cotton]
how he helped us better convey musicality to others~
- you must paint the picture in the audience’s minds~ [Cartoon]
- 400 years dynamic contrast…it still works today~ [Cartoon]
- it’s not about how fast…how slow…how loud…how soft…it’s about how interesting~ [Finlandia]
- projection is sending a musical thought to the end of the hall~ [Planet Earth]
- you don’t have to play louder…but think fiercer~ [Planet Earth]
- the excitement doesn’t have to come from tempo…it can come from attitude~ [Extreme Makeover]
how he expressed meaningful musical thoughts~
- if you are stuck at the notes you can never get up to the artistry~ [Merry Wives of Windsor]
- the strength of the ensemble is as strong as its weakest player~ [Merry Wives of Windsor]
- intonation is a matter of conscience~ [Poema Alpestra]
- sound defies silence like life defies death~ [Poema Alpestra]
- music is like life…it’s always changing~ [Planet Earth]
- music is between the notes…phrase it~ [Children's March]
- the key to artistic freedom is lots of discipline~ [Children’s March]
- don’t practice~ perform~ [Extreme Makeover]
how he introduced musical concepts to us~
- this is matrical displacement! [Planet Earth]
- even though it’s one line…there’re two voices~ this is called compound melody~ [Children’s March]
- a melodic metamorphosis~ [Extreme Makeover]
how he taught us ways for better musical expression~
- every time the phrase starts…give definition to the first note~ this is articulation discipline~ [Merry Wives of Windsor]
- the first note is more an impulse of will~ [Folk Song Suite]
- to show tenuto…create the illusion of length~ [Folk Song Suite]
- when you crescendo…you really do more~ when you diminuendo…you really do less~ [Folk Song Suite]
- look less on the music…focus more on the togetherness~ [Cartoon]
- a good army practice hygiene…you need to release together~ good release means start silence together~ [Planet Earth]
- keep the sound round…we need to sound rich…but not forced~ [Planet Earth]
how he brought emotions into the music~
- this is the promise of reaching…play this with a sense of hope~ [Poema Alpestra]
- let yourself be vulnerable…play from the inside of your heart~ [Finlandia]
- everyone must be still…only then can your inner voice speak~ there’s too much noise on the outside~ ["GR" Selection]
how he incorporated ideas into music-making~
- (to the flutes) together like a horse whip! [Silver Screen]
- horns! think horizontally! [Silver Screen]
- music must always go somewhere…make sure your notes go somewhere~ [Merry Wives of Windsor]
- let all the colours match! & play microscopically clean! [Merry Wives of Windsor]
- we need to play with an architecture of dynamics~ [Merry Wives of Windsor]
- clarinets…endeavor to play together with the woodblock~ woodblock…endeavor to play together with the clarinets~ [Cartoon]
- every phrase needs to go somewhere~ but where? [Finlandia]
- for every piece the band needs to sound different~ [Finlandia]
- we need a sense of line; musical line~ as if every note is precious~ [Finlandia]
- If you keep hanging onto something…it means something~ [Poema Alpestra]
- this is a divine state…you’re at the top of the mountain~ [Poema Alpestra]
- you reach the mountain peak! [Poema Alpestra]
- before you play you must have the concept in your head~ [Cartoon]
- Jacob said…you have two instruments~ one in your hand…and one in your head~ [Cartoon]
- if this melody is chicken…you’ve got to cook it in different ways~ [Children’s March]
- we have overall sound but we bring out different colors…that’s what makes it more interesting~ [Crescent & Stars]
- (to euphos) you need to play…you need to probe in depth…you need to find your centre~ [Finlandia]
- for every pitch you must think before you play~ [Planet Earth]
- you just think about the music and the notes will come! [Planet Earth]
- remove the edge from the tone as far as possible~ [Planet Earth]
- play as if there’s a bubble on top of you~ don’t you burst the bubble~ [King Cotton]
- you have to play like a soloist…with the awareness of what’s going on around you~ [King Cotton]
- if you only run through…you don’t know the details~ if you only do the details…you don’t know what house you’re building~ [Extreme Makeover]
- imagine you’re an apple~ you know where the seeds are? play from there~ [Extreme Makeover]
how he gave us useful reminders during rehearsals~
- don't rush the staccatos…it's a disease! [Merry Wives of Windsor]
- everytime you repeat it…it must be for a purpose…it must get better~ [Merry Wives of Windsor]
- don't get too loud too quickly or the architecture of music will be lost~
- it’s always tempting to practice the parts you can play~ [Silver Screen]
- don’t accept anything that is less than good~ [Poema Alpestra]
- no matter how tired you are…mind over body~ [Poema Alpestra]
- if you think of the notes in between…it will become much cleaner~ [Folk Song Suite]
- when you have the melody…don’t fight for supremacy~ [Folk Song Suite]
- don’t look at the score…I’ll cue you~ you know we like to seek comfort in the score? [Bahn Frei]
- the moral of the story is if Ashkenazi practices with a metronome…so should we~ [Planet Earth]
- make sure you don’t breathe when your neighbor is breathing…that’s all you need to do~ [Planet Earth]
- trumpets and trombones…never get into that nuclear bomb effect~
how he always made nice comments about composers~
- the note G in a minor scale is a note of sorrow~ 40 years of western music have proven that this note is the note of sorrow and indeed cesarini has used it in the beginning~ [Poema Alpestra]
- this piece really need a lot of microscopic work here… … …intelligent composer~ [Cartoon]
- (about Grainger) have you googled him? very handsome! [Children’s March]
- Johan de Meij just writes very well~ it’s the way he writes…he makes it sound impressive~ [Extreme Makeover]
how he amused us while commenting on our playing~
- (to flute solo) you need to be seductive…this movement has many sounds~ [Cartoon]
- (to saxophones) you were all together but on the wrong beat~ amazing…it’s team spirit~ that was good unity~ [Cartoon]
- trumpets…the color is right…keep it up…just that the rhythm is wrong~ [Planet Earth]
- eupho I bless you on the high notes~ [Children’s March]
- clarinets you have no problem with the rhythm…you have every problem with the notes [Extreme Makeover]
how he liked to summarize his advices into point forms~
[Intempo 2007]
3 things…we must be:
1) anti-bad tone
2) anti-bad tuning
3) anti-bad articulation
----------------------------------------------
[InTempo 2008]
Remember P-E-S:
Projection
Excellence (sense of excellence)
Spirit
4 things to take note of:
1) Dynamics
2) Clarity
3) Style
4) Tempo
3 secrets:
1st secret: air
2nd secret: less mouthpiece pressure
3rd secret: drop your tongue (resonate inside your head)
The 5 commandments / the 5 ‘P’s:
Thou shall be Present
Thou shall be Puntual
Thou shall have a Pencil during rehearsals
Thou shall Practise before rehearsals…not during rehearsals
Thou shall be Passionate about music
The 3 types of release:
1) a clean release [the tone shape is a vertical line]
2) a tapered release [the tone shape is rounded]
3) an intense release [swell]
----------------------------------------------
[Da Capo 2008]
Every note has got to have:
1) a clear attack
2) a clear sustain
3) a clear release
3 things to remember during the concert:
1) watch
2) respond
3) play with a beautiful sound (don’t blast!)
how he provided us with encouragement~
- (about glaring/blaming) I’ll never do that if my musicians come in wrongly…because I know you don’t mean it~ [Planet Earth]
- this orchestra has an increasing desire to do well~
- it’s encouraging by this mere fact that you want to do well~
how he gave us reassurance before our concerts~
- play in good spirit!
- nobody wants to make mistakes~
- live performances are meant to have mistakes~
- professionals make mistakes…professionals miss notes…it’s part and parcel of a musician’s life~ - don’t get so performance-oriented until you want to kill your friends~
- I think the process is much more important~
- I think Intempo will be a wonderful blast…but please don’t blast k?
& how he showered us with his sincere compliments~
- I do think you are a good band and I sincerely believe it~
- have pride of a fine orchestra…because you are one~
A smile is an inexpensive way to add value to your words. -Mr. Leonard Tan
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